ON SUNDAYS (POETRY TEST)
On Sundays
The past slithers to me
from a corner booth
My milkshake melted before
the pink could reach my lips
My past lost hours of sleep
like the fork I left on that red picnic table upstate
All I had was a white convertible to chew corn nuts
and smoke chamomile joints, driving
drunk was your specialty along with kissing
foghorns in the dark. I was a sailor
valentine one week too soon. I heard it rained
artificial tears in California.
A girl complained she couldn’t read
Her hands too dry for comprehension
I read the diary you left
against the moldy clementines
Dated back to butterfly clips and my runny nose
I was a translation of a dream
Long summer feelings
dissipate eventually.
(You let all the peonies die on the windowsill)
A message underneath the split pea soup reads:
(WEDNESDAY ONLY)
Pleasant Street
We ate dinner at five pm
and traded snowflake blisters
Mine looked like a triceratops.
Threw nickels
by the limestone quarry
at Budweisers on the rails
Talked about old dogs
and the way they bite
slowly hesitant then all blood lost remorse
I crushed Luckies on wailing grass
licked the ice
(tasted chlorinated) Saw a lion on the face of a trashcan
and a baby on a pinwheel.
Looked for a job at the bowling alley.
Found a flood at the bottom of a single saddle shoe
I’m still an odd duck
I stood still with Santa Lucia
wax in my hair. Your voice
has more texture with a mouth
stuffed with pita. I draped salami
around my fingers or were they carrots
Where are the girls who talk under the moon?
Got high at Dolores. There’s more hill
than park. I held the sun between my pinky
and thumb. Caught your shadow
in a blue harmonica and gave it away
to a boy who sold roses and piña coladas to swans.
Last December, we drove too far south. Promised
we’d never stop counting each grain of sand
from here to LA and every Holiday Inn lit up
like a birthday candle.
Ashley D. Escobar is a fiction MFA candidate at Columbia University and a multidisciplinary artist. She is the author of SOMETIMES (Invisible Hand Press, 2021) and co-founder of Wind-up Mice art and literary journal. Her work has appeared in The London Magazine, TRANSOM, and Hobart, among others.